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There’s certainly no dancing–in fact virtually no movement at all–from Tollick as her transformation proceeds. The ears and nose don’t match Tollick’s skin tone, but Chand takes care of that by sponging on and blending in more makeup. A white makeup on top of the skin tone applications adds texture and interest, but the piece de resistance is the gold leaf that’s touched on at the end of the session. Tollick’s eye makeup includes exaggerated amounts of liner and shadow. “I would say the false eyelashes are more uncomfortable than the prosthetics,” Tollick remarked.
‘All Things Plant Life’ July 13 to Sept, 6, A National Juried exhibition will open inside Bedford Gallery at the Lesher Center for the Arts 1601 Civic Drive, Walnut Creek, on July 12, A Botanica showcases a deep love of nature, the embrace of its beauty, and a concern for its protection and survival, From 16th Century Flemish painters, to Cezanne and the Post Impressionists, the color and variety found in plant life, as well as the potent symbolism, have served as artistic inspiration, sterling silver ballet shoe pendant Opening reception is scheduled for Sunday, July 12, 3-5 p.m, Admission general $5, youth (17 and under)$3, children 12 and under free, For more information, call 925-295-1417 or go to www.bedfordgallery.org..
A I love the set for the beginning of Act III, where they also sing the quartet. They’re in a little basement room with some frescoes — of lilies of some kind, and some swallows. And that’s a direct reproduction of a fresco from Thera, which is an island about 100 miles north of Crete. It’s now known as Santorini. And the ancient site was covered by volcanic eruptions, just like Pompeii, and that’s why those excavations are preserved. Then there’s the huge palace set with the two balconies in Act III, which weighs 14,000 pounds — that was my craziest gesture for this production. Originally, the set designer wanted to do something simpler. But I said, “Shouldn’t we try to reproduce the original façade from the palace at Knossos?” We had it built someplace on Treasure Island, a shop where they do things for San Francisco Opera and other places.
A hotshot performer in the dance world, the Cuban-born Carreño is taking on his first stint as the leader of a major company, Charismatic and hardworking, he would seem to be a natural for the job, but he’s also facing the harsh reality that the South Bay’s biggest resident dance company has long struggled with its finances, On the eve of its 2014 program — the first under his stewardship — the cash-strapped troupe had to tighten its belt in the wake of sagging ticket sales and donations, That means there will be no live orchestra for its “Neoclassical sterling silver ballet shoe pendant to Now” program, which runs Friday through Sunday at San Jose’s Center for the Performing Arts, Still, Carreño is not one to be fazed by obstacles..
Details: 8 p.m. Jan. 22-23; $32-$46; 925-931-4848, www.firehousearts.org. 8 CHARGED PARTICLES: This band led by San Francisco sax man Todd Dickow is known to dabble in straight-ahead jazz, Latin and funk with equal aplomb. On Jan. 28, the group comes to the Saratoga jazz joint Cafe Pink House to perform a tribute to sax great Michael Brecker. Details: 7:30 p.m.; $15; http://cafepinkhouse.com. 9 HOWIE GELB: The singer-songwriter-musician is best known for the alt-country/rock outfit Giant Sand, which he has manned with a revolving cast of musicians since the 1980s, and which has produced a deep catalog of freewheeling sonic scripts that has been compared to everything from the Meat Puppets to Cowboy Junkies to Pavement. On Jan. 24, Gelb comes to The Chapel in San Francisco’s Mission to perform solo, highlighting an upcoming release titled “Future Standards.”.